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		<description><![CDATA[Gurbet, hem gurbette olma hâli olan gariplik ve yabancılık; hem de gurbet yeri ve yabancı memleket anlamlarına gelir. Gurbete çıkan gurbetçi, garip, yabancı ya da gurbetzededir. Yani asıl vatanından ayrı kalma hâlidir gurbet ve insan gurbette garip olur. Vatanından, aşina olduğu yerlerden ve sevdiği insanlardan ayrılanın ruhunda, kimi zaman hayret ve hayranlık, kimi zaman hasret [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=ycetindag.wordpress.com&amp;blog=7442611&amp;post=77&amp;subd=ycetindag&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<title>Osmanlı Edebiyatı ve Nevâî</title>
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		<category><![CDATA[Osmanlı Edebiyatı ve Nevâî]]></category>

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		<description><![CDATA[Türk edebiyatı XV. yüzyıldan itibaren iki farklı şiir diliyle yoluna devam eder: 1.Çağatay Türkçesi. 2.Osmanlı Türkçesi. Bunlardan Çağatayca Timuroğulları’nın hüküm sürdüğü Semerkant ve Herat’ta gelişir, özellikle de Hüseyin Baykara döneminde Herat’ta en büyük temsilcilerini yetiştirir. Bu yüzyıl Herat’ı, birçok açıdan olduğu gibi, edebiyat açısından da zirveye çıkmış ve hem İran, hem de Türk edebiyatının en [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=ycetindag.wordpress.com&amp;blog=7442611&amp;post=74&amp;subd=ycetindag&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<category><![CDATA[Şark Klasikleri ve Özellikleri]]></category>

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		<description><![CDATA[Bin yılı aşkın Şark-İslam medeniyetinde, hayatın hemen her alanında medeniyeti sembolize eden ve âdeta medeniyetle özdeşleşen bazı eserler vücuda getirilmiştir. Bize “Şark-İslam medeniyeti denince ilk önce aklınıza gelen isimleri yahut da eserleri sayar mısınız?” dense, birebir aynı olmasa da, birbirine yakın cevaplar vermemiz muhtemeldir. Mesela mimarî denince Tac-Mahal, Süleymaniye; minyatür denince Bihzad; şiir denince Hâfız-ı [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=ycetindag.wordpress.com&amp;blog=7442611&amp;post=71&amp;subd=ycetindag&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<title>Klasik Kültürde ve Şiirde Örtülü Söyleme Geleneği</title>
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		<description><![CDATA[Özet Klasik kültürde, şiirden güzel sanatlara kadar, birçok sanat dalında anlatılmak istenen düşünce ya da duygu doğrudan söylenmez, eserin içine çeşitli şekillerde ve seviyelerde gizlenirdi. Buna kısaca “örtülü söyleme geleneği” de diyebiliriz. Meseleye şiir açısından bakılınca bu üslubun temelinde öncelikle Kur’ân’ın, ardından da tasavvufun etkili olduğu söylenebilir. Özellikle de tasavvufun, Klasik şiirin örtülü konuşmasında ve [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=ycetindag.wordpress.com&amp;blog=7442611&amp;post=52&amp;subd=ycetindag&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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